If you have any question, please do not hesitate to contact us. That will help you to internalize the previously discussed concepts, and that will ensure a steady weekly workload for you. There is not a hard deadline, but I encourage you to finish every lesson’s assignment within the week.
KONTAKT ORCHESTRA ROUTING PDF
Those that are a bit more complex or longer will include a PDF file that will help to clarify what has been discussed in the video.Īt the end of this module, you’ll find an assignment. The concepts in the videos are explained in an easy-to-understand way. and other samplers and synths like Play, Viena Instruments of Ensemble Pro, Omnisphere, etc.
KONTAKT ORCHESTRA ROUTING PRO
In most of the screencasts, you’ll see Cubase and Kontakt, but the concepts apply across the board, no matter if you use Logic Pro X, DP, Sonar, Pro Tools, etc.
KONTAKT ORCHESTRA ROUTING SOFTWARE
The concepts discussed in the following videos will apply to everyone, no matter the software you use. If you’re getting started and you need some help with that, ask in the Facebook group. They’re not the best sounds, but it is a good starting point.ĭepending on what libraries you have, you’ll be using either Kontakt (most of the libraries), Play (East West), or Vienna Instruments or Ensemble Pro (VSL). You could get started with the stock sounds of your sequencer. I’m assuming that you own some orchestral sample libraries and you’ve got a sequencer. This includes speakers, subwoofer and an audio interface with enough outputs to support surround sound.In this lesson, we will discuss the basics of synthestration. To take advantage of producing, mixing or scoring in surround requires you to have a physical surround setup of at least 5.1. Keep in mind that the Instrument channel is always physical output #1 in mono and #1 and #2 in stereo. Label the Instrument Channel and additional Aux channels as L, R, LS, RS, C and LF. You can verify the color using the legend at the button.Ĭlose the channel routing matrix and in your DAW, add 5 aux channels. In the Channel Routing Matrix, set the LS and RS channels to +6db by right-clicking on each cell, until the color turns red-orange. Set the mode to 5.1 Cinema and click the channel routing button. If you have other effects already in slots, make sure the Surround Panner is the last one. 1 is selected as the instruments output channel.Īdd a Surround Panner module in a Group Insert FX slot. When you have added the Kontakt instance, in Kontakt create a new instrument and add a sample. Close all Kontakt instances by removing them from your host and adding an instance back. A warning may pop up prompting you to close all Kontakt instances for your changes to take effect. In Kontakt, display the outputs and configure the first channel to be a 6 channel channel (: Do this by clicking on the channel configuration button,Ĭlick Ok to close the channel configuration dialog. Kontakt offers a 5.1 configuration, but it mainly used when your source is 5.1. We’ll sound like Zimmer in now time.įirst add a 16x mono instance of Kontakt to your host. Let’s take a look at both of how we can use both of these features to up-mix a 2 channel source to 5.1 cinema. The Surround Panner works with a multitude of input and output channel configurations, ranging from mono up to 16-channel surround sound, and allows you to place input signals as sound sources on a spatial plane, move them either manually or via automation, and simulate a range of natural dampening and doppler effects which occur when sound sources are being moved around the listener.Īnd the Channel Routing allows you to change the channel assignment aspects of the connection between the Group and the Instrument level, as well as create special routing configurations for up-mixing or down-mixing your Group signal to a different channel configuration. Decrease the size for stronger Doppler, Air Absorption and Delay Effects! The Size parameter varies the surround field where the sources move. In today’s quick tutorial I will show you what you need to start Scoring Movies Like Zimmer With Channel Routing and The Surround Panner. But what if your source is only 2 channels? Well Kontakt has a module that provides extensive and powerful surround mixing and automation capabilities to Group signals. Kontakt works very well with Surround sources.